If you were simply using DaVinci Resolve to prepare your clips for editing, in the right-hand column, select Individual Clips so that Davinci Resolve will keep all of your clips separate. You should choose a less-compressed codec family such as ProRes or DNxHD to preserve your footage for the final edit. When you are finished cutting and coloring the clips to your satisfaction, you can export them in a variety of formats by switching to the final tab. If you were working with a BT.709 LUT, try the CinemaGamut_CanonLog2-to_WideDR_BT.709 LUT for an exact match to what you saw on your touchscreen while shooting. This might be a good place to start as this is the exposure you would have seen un-lutted from camera. Canon includes a Canon Log 2 to Canon Log 3 transfer in their LUT pack. By default, the footage is debayered into the gamma Canon Log 2 and Cinema Gamut. The Camera RAW settings are currently unavailable, but the footage will still respond very well to the regular grading tools and the Canon transforms available for download on their website. In the color tab, you can choose to grade your clips or apply a LUT to simplify the rest of your post-production. Here you can preview them, trim them if you like, or go all in and edit the film right in Davinci Resolve. In the editing tab, add your clips to the timeline. Alternatively, you can navigate to them through the built-in media browser. Import Clipsĭavinci supports these files natively, so it’s as simple as dragging and dropping them into your media bin. If this is your first time opening Resolve, either set up a new user account or simply log in as ‘guest’ for now.
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